Category Archives: +++ indierock
I know hardly anything about this band. Probably the most underrated band, ever. Currently, they have 5,800 listeners on Spotify. That really isn’t much. Seven albums under their belt. Do not sleep on ANY of them.
I am so sick of stupid hipsters of 2016. I’m sick of the lo-fi, “bedroom pop” sound, even though I do love a lot of artists who are in that genre (truly). I’m just sick of the hipster bullshit (yeah, I’m starting this off on a very personal note but, I feel the need to get it off my chest)….. 2016 hipsters (aged 19-24, respectively) are some of the most elitist, too-cool-for-school assholes I have ever met. I see a lot of holier-than-thou bullshit daily, in my facebook feed, and it makes me feel nauseated. Young people…. you think you know good music? So far, the 10s (2010-present) hasn’t bred a lot of good music. I knew about true, good music 25 years ago, you attitude-riddled fuck-bags (phew! Do I feel better? No! I don’t! But thankfully, I’m about to talk about Liz Phair).
Twenty-three years ago (yes, that’s 1993 for the mathematically-challenged…. and yes, 23 years. That’s over two decades!)………. I bought Liz Phair’s Exile In Guyville CD after reading a glowing review about it in Rolling Stone (remember when people used to take a chance on music, before being able to hear it?) It was the third CD I ever bought. It took me two weeks to get together the $15 for it, because I was poor as shit.
Liz Phair was the original DIY punk girl. Every song on Exile In Guyville is written entirely by her, and produced (with additional instrumentation) by Brad Wood, who also recorded Ben Lee’s brilliant solo debut Grandpaw Would, and Ben Lee’s second record (my favorite of his), Something To Remember Me By.
I am reminded of Liz Phair tonight, as I saw a facebook post by a former guitar student of mine, who I started teaching in 2008 (she’s now 18). She was absolutely raving about Liz’s music, and specifically Exile In Guyville. She said she wished she’d gotten into Liz Phair’s music sooner. I told her she got into it at the perfect age (I was 17 when I bought Exile and spun it to fucking death).
Liz hasn’t ever, and will never, top the brilliance of her debut record. The second album Whip-Smart is alright, but the lead single from the album “Supernova” is absolute shit. It’s her worst song, in my opinion. But the actual song “Whip-Smart” is super-good.
Liz’s 3rd record, the initially-rejected (by the major label who she went to) Whitechocolatespaceegg, is super good, and is reminiscent at times, of Exile. I have the initially-rejected version in my collection, and the commercial release that die-hard Liz fans know (her 3rd album was mostly ignored).
Fast-forward a few years, and Liz sold out, with “Why Can’t I?”. It’s a lovely little pop song, but co-written by professional songwriters, so it loses its credibility, and fast. I haven’t touched any of Liz’s music beyond that song, after one listen… as I don’t think any of it is worth listening to, more than once. It’s just over-produced pop garbage.
But man.. that first record. WHOA.
Enjoy it… and fuck this 2010-2016 hipster bullshit. A lot of it is entirely forgettable. But this record certainly isn’t. This record is everything RIGHT about the 90s, and female-fronted (and female-written) alternative rock/indie. PERFECTION. Don’t you ever forget it.
side note about the very first CDs I ever bought (all of which, I still own): The first, and second CDs I ever bought were The Smiths’ self-titled album, and Dinosaur Jr’s Bug. Other CDs I bought after Exile In Guyville include Juliana Hatfield’s Become What You Are, Smashing Pumpkins Siamese Dream, and Louder Than Bombs by the Smiths.
Oh, Seams. Dundee, Scotland’s own. Two tiny four-song EPs (absolutely flawless), then called it quits.
What a soaring voice… soaring instrumentals and arrangements. Young brilliance. Perfection. YouTube playlist of “Colours and Maps” EP:
This EP is everything perfect about indie rock/pop. Everything perfect. Enjoy.
I discovered Bess when I found out she was Ingrid Michaelson’s backup singer a few years ago. After hearing Bess’s small handful of albums, I realized she’s a better writer than Ingrid (and I love Ingrid, don’t get me wrong). And I like Bess’s voice a lot, it’s like Ingrid’s but with less affectation, I think. The melodies Bess writes are just more soaring, interesting, and quirky. Still catchy as hell, but something sets it apart from the typical pop. One of my favorite songs of hers is “Weak Link” (the last video featured here).
I think Rogers lives in Ingrid’s shadow, a lot. But hopefully, this post will shine a spotlight on her. Because she’s fucking incredible, by herself. Thanks, Bess.
After Keane’s second record, I was done with them. I tried to give the third record a chance…. and I was like “uhh, no.” Then all the records that followed…. ugh, and more ugh. I heard a newer song of theirs in the grocery store a few weeks ago and I was like “what the HELL is this?” What happened to them?
I saw them in 2005, and was blown away. They played Saturday Night Live right around that time, too, and it was killer. Hopes and Fears is a timeless friggin’ record. The second one lost a bit…. but still good. Then…. third record, I was like “da fuq?” Then I just stopped following their work.
Go back to your epic, melancholy piano roots, guys. The top 40 dance/R&B thing is NOT working for you.
God, I want to hate this band. But I can’t.
It’s that damn “indie pop voice” that haunts my every waking moment (this voice is basically everyone trying to copy Leslie Feist or Nataly Dawn of Pomplamoose… or hell, Cat Power). It’s charming. It’s great.
You’ll love it.
Not sure if I wrote about them already, but…. yeah. Pretty much a staple of my music-listening, since 1994. Sadly they weren’t together long… but man, did they leave a powerful impact. From College Park, Maryland / Washington DC area. A lot of people prefer their earlier work, such as “My Forgotten Favorite” or the album Copacetic, but I think their best work is their last stuff, specifically the Gilded Stars and Zealous Hearts record (1996).
Sarah Shannon (vocalist) now does solo stuff as her own name. Worth your time, if you like her voice (and how could you not?)
You might know the Vivian Girls, who
are were goddamn amazing (they broke up last year). Well, here’s Katy Goodman’s side project/main music, as La Sera…. as I often write…. dude. Some people just have it. And they give it their all, in every single fucking minute of their musical journey. This is Katy Goodman, aka La Sera.
“Beating Heart” (I LOVE this song)
Latest record, “Hour Of The Dawn” (entire album)
Ashton Allen is probably one of the most underrated singer/songwriter out there, period. His facebook only has 871 likes as of today, August 12th, 2015.
Nine years ago, I was in Barnes and Noble, and the music department had this playing over the store stereo. I bought the CD immediately (it was only $7.99, which was dirt cheap for CDs, at the time).
I love this friggin’ record. This is what songcraft is all about. This guy. And man, what a voice.
I don’t know anything about him… some things I’ve read say he’s perhaps a Christian singer-songwriter (which I’m not terribly into, but not completely against– hell, I love Mindy Smith, and mentioned her on this blog, too)… some say he’s just a casual musician who happens to put out great records. There’s hardly anything about this guy, anywhere…. but…. he needs to be out there, more. And he’s a damn good-lookin’ dude. Why is he not more well-known? I mean, I know this record is from 2006, but still… great music is timeless, as you dear readers/listeners know.
A few of my favorite songs from his perfect 2006 record, “Dewdrops”:
originally posted 6-4-2013
Back in 2000, I used to talk extensively online with an awesome girl named Alexia Anastasia, who ran a Naples-FL based indie label called Distant Rise Records (later, Recovery Records). Alexia and I had a nice little internet connection, even though we had never met before. We would talk about loneliness and great music for hours and hours on end… and tell each other to check this or that band out. This was pre-YouTube and it wasn’t that easy to just look up a song and listen to it right away.
One of the bands Alexia mentioned to me that she said I would absolutely love was The Rocking Horse Winner (from Lake Worth, FL). The singer, Jolie Lindholm, had reached some level of recognition by singing backing vocals for several of the early Dashboard Confessional releases. I always liked her singing when I heard certain Dashboard songs, and one day Alexia mentioned to me that she had her own band.
Their first full-length, “State Of Feeling Concentration” BLEW ME AWAY when I first heard it. I was working at a record store at the time, and I ordered it for myself as it was impossible to find anywhere else.
I can sum up this band in THREE words: MELODIES, MELODIES, MELODIES.
Fucking PERFECT songs… that get stuck in your head forever like the best music… god, I’ve spun this CD endlessly for over a decade now, and it never gets old. (added 2015– the guitar work, creative drumming, etc… just really add so much to the music… I just… god. I’d consider RHW as the American/Indie rock version of The Sundays.
Jolie’s vocals are pitch-perfect… she is such a damn good singer and melody writer.
One negative thing I will say about this band– their second full-length (on Equal Vision Records) is not that good. If you want the best of the best, pick up their 2000 album The State Of Feeling Concentration. It rules.
And now… ONTO THE PERECT MUSIC
Jolie Lindholm later fronted new wave-ish indie band Popvert, and is now a real estate agent in Florida…. I hope she eventually releases more music. With every song she sings, the world is better for it.