Category Archives: +++ acoustic

Liz Phair (circa 90s)

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I am so sick of stupid hipsters of 2016. I’m sick of the lo-fi, “bedroom pop” sound, even though I do love a lot of artists who are in that genre (truly). I’m just sick of the hipster bullshit (yeah, I’m starting this off on a very personal note but, I feel the need to get it off my chest)….. 2016 hipsters (aged 19-24, respectively) are some of the most elitist, too-cool-for-school assholes I have ever met. I see a lot of holier-than-thou bullshit daily, in my facebook feed, and it makes me feel nauseated. Young people…. you think you know good music? So far, the 10s (2010-present) hasn’t bred a lot of good music. I knew about true, good music 25 years ago, you attitude-riddled fuck-bags (phew! Do I feel better? No! I don’t! But thankfully, I’m about to talk about Liz Phair).

Twenty-three years ago (yes, that’s 1993 for the mathematically-challenged…. and yes, 23 years. That’s over two decades!)………. I bought Liz Phair’s Exile In Guyville CD after reading a glowing review about it in Rolling Stone (remember when people used to take a chance on music, before being able to hear it?) It was the third CD I ever bought. It took me two weeks to get together the $15 for it, because I was poor as shit.

Liz Phair was the original DIY punk girl. Every song on Exile In Guyville is written entirely by her, and produced (with additional instrumentation) by Brad Wood, who also recorded Ben Lee’s brilliant solo debut Grandpaw Would, and Ben Lee’s second record (my favorite of his), Something To Remember Me By.

I am reminded of Liz Phair tonight, as I saw a facebook post by a former guitar student of mine, who I started teaching in 2008 (she’s now 18). She was absolutely raving about Liz’s music, and specifically Exile In Guyville. She said she wished she’d gotten into Liz Phair’s music sooner. I told her she got into it at the perfect age (I was 17 when I bought Exile and spun it to fucking death).

Liz hasn’t ever, and will never, top the brilliance of her debut record. The second album Whip-Smart is alright, but the lead single from the album “Supernova” is absolute shit. It’s her worst song, in my opinion. But the actual song “Whip-Smart” is super-good.

Liz’s 3rd record, the initially-rejected (by the major label who she went to) Whitechocolatespaceegg, is super good, and is reminiscent at times, of Exile. I have the initially-rejected version in my collection, and the commercial release that die-hard Liz fans know (her 3rd album was mostly ignored).

Fast-forward a few years, and Liz sold out, with “Why Can’t I?”. It’s a lovely little pop song, but co-written by professional songwriters, so it loses its credibility, and fast. I haven’t touched any of Liz’s music beyond that song, after one listen… as I don’t think any of it is worth listening to, more than once. It’s just over-produced pop garbage.

But man.. that first record. WHOA.

Enjoy it… and fuck this 2010-2016 hipster bullshit. A lot of it is entirely forgettable. But this record certainly isn’t. This record is everything RIGHT about the 90s, and female-fronted (and female-written) alternative rock/indie. PERFECTION. Don’t you ever forget it.

side note about the very first CDs I ever bought (all of which, I still own): The first, and second CDs I ever bought were The Smiths’ self-titled album, and Dinosaur Jr’s Bug. Other CDs I bought after Exile In Guyville include Juliana Hatfield’s Become What You Are, Smashing Pumpkins Siamese Dream, and Louder Than Bombs by the Smiths.

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Laura Gibson

The music usually speaks for itself…

 

Mary Lou Lord

maryloulord

Mary Lou Lord was my introduction to indie rock. If it weren’t for her song “His Indie World”, that I heard on a syndicated indie radio show on Sunday nights called “Spin Radio” (later– “Revolution Radio”), I would have never discovered the numerous classic indie rock bands she references in that song, until many, many years later. But in early 1995, when I first heard this song (lyrics below), I begun my true musical education looking for all those bands’ CDs at local, used record stores. What an education it was, too. What an enjoyable journey. And of course, I had to own all of Mary Lou Lord’s releases, too. And man, I fuckin’ LOVED them. I’ve been influenced by a lot of female musicians in my life, but I think the very first were Juliana Hatfield, Tanya Donnely, and Mary Lou Lord.

A few years after hearing “His Indie World” (from her self-titled EP), Mary Lou released her major label debut, “Got No Shadow”, which has “Lights Are Changing” (Bevis Frond cover, which appears on her first EP), as well as one of my favorite songs, ever, “His Lamest Flame” (the opening track– a lyrical response to Elvis Presley’s “Marie’s The Name (His Latest Flame)”). So creative, and so damn catchy. In my opinion, a much better song than the one Elvis recorded.

As I listen to her, as I’m writing this, it’s again clear that Mary Lou Lord is just one of those singer-songwriters that speaks to the very essence of your soul. You have an emotion, and you put on one of her albums, and she just gets you. It’s not really the other way around… you thinking, “I totally relate to her! Man, what a great song.” No. She relates to YOU. She gets you. That’s just her sound, her energy, her presence. Her music is that transcendent…. it just reaches in, and pulls, pulls, pulls. She’s said of The Bevis Frond (probably her favorite band) how altruistic, honest, and genuine his music is. I can see that in the Bevis Frond, without a doubt, but I also see those very traits in her music.

Mary Lou was very musically active in the 90s, but after she had her daughter (coincidentally, a talented singer/songwriter, herself!), she got really quiet, musically. Most likely because she wanted to raise her daughter right, but man, what a musical void she left during the 2000s.

From 2001-2015 she basically didn’t do much, musically… maybe a one-off show here and there in her native Boston (and she’s never really stopped busking in Boston, which is how she got discovered), and then she did a 2004 album called “Baby Blue”, released on a small label (I really love that record even though so few people know of it).

And then, recently, she dropped a lovely collection of songs on all her fans, with her latest record, “Backstreet Angels.” It is a collection of covers and original songs (as is common with basically everything she releases), and quite a collection it is, indeed. At 50 years of age, she’s still got it. She still sounds like she’s in her mid-20s, doing the gritty acoustic jangle-pop she’s done so well.

On a personal note, I’ve been following her on facebook for a while. A few years ago, I read on her website that she had suffered from a vocal cord condition called spasmodic dysphonia (involuntary spasms during speech, and occasionally singing). I was concerned that maybe that’s why she was so quiet, musically, after 2004. She didn’t post really anything (or at least anything I could see initially). All of a sudden, I started seeing a lot more posts by her, talking about her record and whatnot. I initially wasn’t able to comment on any of her posts, as we weren’t proper friends, but one day, I saw that I was able to comment. I happily commented several times, about how much I love her as a person and as a singer/songwriter, and she responded to every comment I posted. I was so thrilled! Here was Mary Lou Lord, one of my biggest songwriting influences, kinda sorta talking to me on facebook. One day, she said I should send her my music, as she was planning on doing a music blog type of thing in the near future. So honored that she would actually give a shit about some unknown dude’s tunes. She actually added me as a friend proper, one day after that, and I gladly accepted her request. It seems like we have a nice online friendship and rapport going on, in our random facebook banter/comments. She’s just a super-cool woman (and I’d say I’m a pretty cool dude, myself, haha). Seeing her posts usually make my day, as she always has something cool to share (often musically, as do I), and, without me sounding too “fanboy” about it all, I’m just really happy that we shoot the shit and talk music. And, I told her yesterday that I’ve been meaning to promote her new record and talk about her music, and she was really happy to hear that… so, here it is!

Without further ado, please allow me to share some of my favorite Mary Lou Lord songs with you all. And, for you Spotify users (wait, you’re not on Spotify yet? What are you WAITING for?), here is the full album stream of her latest record. Enjoy!

God, those harmonies on “Some Jingle Jangle Morning”…. KILL ME.

Her brilliant duet with Elliott Smith

The Archies song “Sugar Sugar” (with Semisonic). The best cover on “Saturday Morning Cartoon’s Greatest Hits”, by far.

“My Buddy Valentine”, from her latest record

“Because He’s Leaving”, from her 2004 record

And, finally…. “Backstreet Angels”

Buy it here: http://www.cdbaby.com/cd/maryloulord2

And I’ve got to stream “Got No Shadow”, too…. it’s so worth your time. One of the most overlooked 90s albums, period.

Thanks, Mary Lou. 🙂

“His Indie World” lyrics:

I don’t think I fit into his indie world
Guided By Voices and Velocity Girl
Eric’s Trip and Rocket Ship, Rancid and Rocket from The Crypt
Bikini Kill and Built to Spill, it’s plain to see that I don’t fit
He says my songs are too deep and gloomy
He wishes that I could be more like Jenny Toomey
Just give me my Joni my Nick, Neil, and Bob
You can keep your Tsunami, your Slant 6 and Smog
What’s the story he says Butterglory
I say what’s the news he says the Silver Jews
His Heavenly hang-up is getting me down
And it’s making me wonder why he’s hanging around
Cause I don’t fit into his indie scene
Huggy Bear and Helium and Half-Japanese
Sebadoh and Sentridoh and Superchunk and I don’t know
Doug and Lou and Calvin too and Kim and Kim and Kim and Kim
Yeah I’m stuck in the past and he’s stuck on his four-track
But I can’t get through to his one-track mind
I push play and record and a major chord
Maybe I’ll win his heart this time
Maybe I’ll win his heart this time

Night Windows / Ben Hughes

I recorded this session at my house, in mid-March. Ben Hughes and his band Night Windows are the nicest guys. And he is one hell of a songwriter. All throughout 2015, Ben is releasing an album of solo music every month. He’s already released four albums.

Some people can just churn out great song after great song. This is Ben Hughes. Oftentimes I’m inspired by local musicians and regional ones, too. While Ben isn’t necessarily close to Philly (I believe he’s from far south Jersey), I consider him part of the Philly scene. I wish I could write songs like him. Truly, I love his music. I love it solo and I love the Night Windows album.

Enjoy the session recorded at my house, and be sure to also check out http://nightwindows.bandcamp.com, and also http://benhughes.bandcamp.com.

Can’t wait to hear the other 8 albums of solo music!!!